Showing posts with label series. Show all posts
Showing posts with label series. Show all posts

Wednesday, March 17, 2021

channel freakboy: JOSIE AND THE PUSSYCATS (1970-1971)

For those who don't know, JOSIE AND THE PUSSYCATS started life in 1963 as a comic book in the Archie universe.  Then they were in two early 1970's Saturday morning animated series, one in  the Scooby-Doo universe and the other in outer space.  In the 21st Century, the all-girl band turned up in a vastly under-appreciated 2001 live-action film and appeared in RIVERDALE, The CW's moody, broody take on Archie and the gang. 


For this post, and my continuing Saturday Morning Mid-Life Crisis, I'd like to examine 4 aspects of the first animated series.  So, come along now, pour a bowl of your favorite breakfast cereal and put on long tails and ears for hats...



1. The characters...
Josie, on the guitar, is sweet and understanding.  Valerie, on tambourines, is so clever and mechanically inclined that I'm convinced she taught MacGyver everything he knows.  Melody, on the drums, may seem like a ditzy blonde but she is more aware than people think.  



Along for the crazy ride is Alan, the roadie (I assume), who may be sweet on Josie, but I think he's secretly crushin' on Alex.  Alexander Cabot III, the band's manager, tends to be a chicken, but manages to book gigs all over the world.  His sister Alexandra, a schemer with a punk rock white stripe in her hair, tags along because she can and because she has it bad for Alan.  Last, but not least, there is Alexandra's cat Sebastian, who ultimately gives his feline brethren a good name.  He saves the gang on occasion, even from the bottom of the ocean in the first episode.



2. Groovy tunes... 
Ive been wanting an official collection of Josie and the Pussycats for years.  I could've dropped $900 of my stimulus money on a used CD via Amazon or just buy the series on DVD for $10.  It was a no brainer because I'm a cheapskate.  The songs have always been the thing I remember most from watching reruns as a kid. 



I enjoyed all the songs, but a few really stood out.  The theme song is terrific and nicely sets up the series, but there is so much more to hear.  Inside, Outside, Upside Down is a catchy song about stalking your crush.  Lie Lie Lie is one of the most realistic songs about romance ever recorded.  Roadrunner is unfortunately not about a fellow cartoon character, but it is about a woman warning another of a male hussy.  My favorite is You've Come A Long Way Baby.  This song is about a woman not being impressed with the glitz and glam of an old beau's success.  She wants the boy she used to know, not the tricked out mack-daddy he's become.



3.  Mystery-solving teens..
When I was younger, I believed Josie and the Pussycats belonged with the Scooby gang in the genre of teen sleuths.  Now that I'm older and allegedly wiser, I'm not so certain.  Yes, there are similarities, but there are also notable differences. 



Josie and the gang aren't really solving mysteries.  They are often swept up in the world domination plans of James Bond-style villains.  Typically, these baddies are introduced in the opening scene, so there is rarely a big unmasking at the end.  Also different is the constant antagonistic behavior of Alexandra.  She has no comparison character in the Scooby gang.  Last, but once again not least, Sebastian isn't really a sidekick like Scooby or Captain Caveman because he's not front and center.  Maybe these differences stem from Josie and the Pussycats being a comic book first.  



4. Insensitivity issues... 
It was 50 years ago, so 21st Century viewers should expect to be offended by something.  There is cultural insensitivity, especially a scene where Alan goes through a series of stereotypical disguises.  There is also body insensitivity, with some overweight jokes.  I must add there is age insensitivity when a villain transforms Alexander, Melody and Alexandra into slow, sleepy, complaining senior citizens.

Oh, and some might find Melody offensive because she may contribute to the ditzy blond stereotype and Alexandra may encourage bullying.  Plus, there is little representation of the LGBTQ community, other than maybe Alan.  There may also be an outcry over The Pussycats' skimpy cat outfits.  Are they a product of male chauvinist sexism or female feminist empowerment?  I don't know, but I believe the most important question centers around one of The Pussycats.  



Does Valerie, a strong, intelligent, independent woman of color, counterbalance the potentially outrage-inducing aspects of JOSIE AND THE PUSSYCATS?  
I believe the answer is far more complex and runs much deeper than an early 1970's Saturday morning cartoon.

In conclusion, despite its flaws, i enjoyed this trip down Saturday Morning Lane.  Memorable characters and great songs keep JOSIE AND THE PUSSYCATS groovin'.  However, 21st Century parental discretion is advised. 

Freak Out, 
JLH 

P.S.  4 reasons to see the 2001 film...



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My Saturday Morning Mid-Life Crisis, so far...




Friday, March 5, 2021

channel freakboy: THUNDARR THE BARBARIAN (1980-1981)

"Lords of Light!" - Thundarr



I was often terrified by the idea of the end of the world as a child.  I would hear the volunteer fire department siren and was certain that nuclear war had begun, or at the very least a tornado was coming, which also terrified me.  On top of those destructive forces, I was also seriously worried that an asteroid or comet would crash into the Earth.  So, it's no wonder that the ominous opening credits of THUNDARR THE BARBARIAN fascinated and horrified me on Saturday mornings.  



The year, 1994. From out of space comes a runaway planet, hurtling between the Earth and the moon, unleashing cosmic destruction. Man's civilization is cast in ruin. Two thousand years later, Earth is reborn. A strange new world rises from the old. A world of savagery, super-science, and sorcery. But one man bursts his bonds to fight for justice. With his companions, Ookla the Mok and Princess Ariel, he pits his strength, his courage, and his fabulous Sunsword against the forces of evil.  He is Thundarr, the Barbarian! 



I'm sure I spilled my Quisp cereal and wet my Aquaman Underoos the first time I experienced the animated end of the world.  Seeing the runaway planet cracking the moon like an egg and apparently disrupting the Earth's atmosphere was my nightmare come true!  Then add the huge tidal wave, erupting volcanoes and jagged rocks suddenly jutting up through the ground and I was properly traumatized...but hooked.  I enjoyed watching Thundarr, Ariel and Ookla as they traveled on horseback through the remnants of our decimated civilization, freeing humanity from the clutches of evil.  

Thundarr waving his Sunsword around.


Now, with older and allegedly wiser eyes, I still enjoyed the trio's adventures.  Sure, Thundarr is not going to win any 21st  Century sensitivity awards, but he is a barbarian.  Yes, Ariel should use her sorcery powers more often to save people, but she's the most intelligent of the trio.  Of course, Ookla is like a Wookie on steroids, but he may be the fuzzy heart of the series. As for the plot, it's a mixture of CONAN THE BARBARIAN (obviously), STAR WARS (his fabulous Sunsword), and PLANET OF THE APES (the 1974 live-action TV series because they travel around helping others).  

Ariel, Thundarr and Ookla almost literally streak into action! 


I was disappointed there wasn't an actual first episode showing how Thundarr, Ariel and Ookla met.  However, there was plenty to entertain and intrigue along the way.  For example, the runaway planet appears to have caused a massive continental shift.  There is now an ocean near where South Dakota was located and our heroes travel to what was once England from what was once the US on horseback.  Maybe an animated remake needs to happen to fully explore the altered landscape and flesh out the characters a bit more.

The trio ponder what exactly is a Mok.


In conclusion, THUNDARR THE BARBARIAN may not be perfect, but I'm happy for this trip down Saturday morning lane.  Oh, and I still felt tense during the opening credits, but I did not spill my 21st Century bowl of Quisp cereal or wet my orange underwear. 



Thank you for reading or listening to my half-blind words.

Freak Out, 
JLH 

P.S. Solve this Saturday morning mystery...

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New Month! 
New Eye! 
New Interview!

👁


Friday, February 5, 2021

channel freakboy: CAPTAIN CAVEMAN AND THE TEEN ANGELS (1977-1980)


I was a very young freakboy when CAPTAIN CAVEMAN AND THE TEEN ANGELS originally aired on ABC, but vague memories have stuck with me throughout the years.  I wanted to know why I remembered anything at all, so that's the reason I decided to relive my Saturday morning childhood on DVD.  All I needed to complete the flashback was Aquaman Underoos and a big bowl of Quisp cereal.  




There was an epidemic of mystery-solving teens in the 1970's and I was not immune to their kitschy charms.  I must have been catching the tail-end of this genre of animated series because the formula was set in stone by the time CAPTAIN CAVEMAN AND THE TEEN ANGELS came along.  A group of teenagers travel around solving mysteries with the help of an offbeat sidekick.  Some groups had a scaredy-cat dog, a blathering shark, a sputtering buggy or even a funky phantom, but the Teen Angels had a superhero caveman.

"Set free by the Teen Angels from his prehistoric block of glacier ice, comes the world's first superhero, Captain Caveman!  Now the constant companion to the Teen Angels - Brenda, Dee Dee, and Taffy - in their hilarious, and sometimes scary mystery missions.  Get ready for Captain Caveman and the Teen Angels!"

Not The Mystery Machine


The opening narrator (Gary Owens) tells you all you need to know about the main plot, but what about the characters?  Dee Dee (Vernee Watson) is the super smart Teen Angel, often finding and connecting the clues.  Brenda (Marilyn Schreffler) is the scaredy-cat of the group, often shaking at the thought of a mystery.  Taffy (Laurel Page) is the master trapper, often planning elaborate methods to capture the villain.  Last, but not least, there is the very hairy Captain Caveman (Mel Blanc) who often loses his powers at the most inopportune times. 



Watching CAPTAIN CAVEMAN AND THE TEEN ANGELS with an older and allegedly wiser mind was a different experience.  The series lacks the magic spark of SCOOBY-DOO, WHERE ARE YOU! (1969-1970) but it is a fun, and often silly escape.  However, there is something there, hiding just beneath the surface, or maybe in Cavey's roomy hair, which leads me to one question.  Who are the Teen Angels and Captain Caveman really?

Taffy, Dee Dee, and Brenda ponder my question.


I believe it's time for Cartoon Network or Boomerang to answer that question in a new series.  They could create a darker, emotionally complex, but still kid-friendly update in the vein of the brilliant SCOOBY-DOO, MYSTERY INCORPORATED (2010-2013).  The new Captain Caveman series could explore how the Teen Angels stumbled upon his block of ice.  Were they in the middle of solving a mystery at the time, and what's going on with all the mysteries anyway?  The group seems to randomly stumble upon crime after crime, but the narrator calls them mystery missions.  Missions?  Are the Teen Angels working for the government or Charlie?  Are they even aware of a possible outside force  directing them to the mysteries?  Then how does Captain Caveman fit into the overall picture and what is up with his powers?  Especially his ability to store and retrieve extremely large objects and creatures in his hair.  Is Cavey an anomaly?  Is he reaching into time when he pulls out dinosaurs from his hair?  It's mind-boggling and a little disturbing.  Sadly, Cavey, Brenda, Dee Dee, and Taffy may never get the chance to solve the bigger mystery surrounding them.



In conclusion, ZOWIE!  CAPTAIN CAVEMAN AND THE TEEN ANGELS is a trippy trip back to the late 1970's.  No, it's not the best of the multitude of mystery-solving teens out there, but It's underlying weirdness is why it never fully left my memory.

Thank you for reading or listening to my half-blind words.

Freak Out, 
JLH 

P.S. Travel back to the early 1990's...

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February's Collective Eye is a-rockin' with the wicked-cool 🎵beats🎵 of ‪BRICKLAYER BOSH, so DO come a-knockin'!!! 😎

Monday, January 18, 2021

channel freakboy: SWINGTOWN


How much do I love this very short-lived series which originally aired on CBS during the summer of 2008?  Well, I believe I can declare it my favorite television series.  I know, I know.  I hear some of you shouting "What about DOCTOR WHO and POPULAR and HATERS BACK OFF!?"  I do love those series, and the latter is my favorite Netflix series, but there is something about SWINGTOWN that emotionally turns me on. 


SWINGTOWN takes us on a retro disco ball spin back to 1976.   America is celebrating its 200th birthday and Susan and Bruce Miller are celebrating their new home.  Susan and Bruce were busy raising their kids during the counterculture/sex revolution, so it's surprising when the celebration leads to a swingin' night with adventurous new friends Trina and Tom Decker.  Trina and Tom have open minds and an  open marriage, making them the polar opposites of Janet and Roger Thompson.  Janet and Roger are friends of the Millers from the old neighborhood and they are not fans of change, especially Janet.  How will they fit into Susan and Bruce's new life?  The answer to that question is the key to this under-appreciated series. 



There is so much more to SWINGTOWN than the titillation of a key party and the retro-horror-glamour of '70's fashion.  Take a peek under the covers and you will find emotionally authentic and complex characters.  You will become intwined in relatable storylines from first loves to forbidden loves to finding strength within yourself in a changing world.  You will also experience character development on a  scale rarely seen in American television.  Even a thread of teen angst is explored in a mature, thoughtful way that reflects the growing pains the adults are experiencing.



It's the character development that keeps me popping in the DVD's.  The characters you meet in the first episode have grown in different ways by the last episode.  I hesitate to say the characters change because it's not that simple.  The development patiently evolves from confronting their fears or exploring their desires throughout the series.  Sometimes this is as subtle as perusing a scrapbook and sometimes it's as bold as eating a pot brownie.  Either way, the collective journey of these characters feels very real and is a remarkable piece of writing. 

As for the acting, I think the entire cast is great, but it's the three main actors who are riveting to watch.  Molly Parker brings an effervescent aura and down to earth intellect to Susan Miller's search for her authentic self.  Lana Parrilla brings a quiet strength and a disarming vulnerability to Trina Decker's examination of herself and those around her.  Miriam Shor brings fierce determination and hard-earned sympathy to Janet Thompson's struggle to find her place among new ideas and experiences.  Yes, fully realized, emotionally complex women are the main characters in a series dealing with swingers, which is one more reason I love SWINGTOWN.  



I must add that SWINGTOWN was tragically canceled after one season.  Sometimes I wish it would've lasted longer, but as I've said before in this blog, maybe it was for the best.  Sure, the series ends with some unresolved issues, but I feel satisfied after the final episode  because I understand where the characters are heading.

In conclusion, I could go on and on about this series, but my goal is  to wet your appetite for this overlooked gem.  So, if you're in the mood for a bit of fun, with a tease of wild and a generous helping of emotional stimulation, then let SWINGTOWN turn you on. 

Freak Out, 
JLH 

P.S.  If SWINGTOWN is my top TV series, then what is my favorite film? 

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My certain feeling about SWINGTOWN is why I'm extremely proud of this review of DARK EXCURSIONS...

Tuesday, November 24, 2020

channel freakboy: EERIE, INDIANA (1991-1992)


I was probably not NBC's target audience when this half-hour series premiered in 1991, but TWIN PEAKS was over and I needed my weird fix.  So, I decided to visit EERIE, INDIANA.  Once I relocated, I made new fictional friends, met Dawson's mom before she moved to the Creek, and saw strange sights, such as Bigfoot, Elvis and aliens.  Plus, I encountered Sgt. Knight (Harry Goaz), who was obviously really Deputy Andy working undercover for the Twin Peaks Police Department.  Yes, it turned out EERIE, INDIANA was the perfect new home for me. 




Eerie is also a new home for Marshall Teller (Omri Katz).  His father (Francis Guinan) moved the family to Indiana to escape the dangers of New Jersey.  What Marshall's father, mother (Mary-Margaret Humes) and sister (Julie Condra) fail to realize is that this seemingly normal town is chock full of weird dangers.  Plastic storage kitchenware-obsessed housewives who never age!  An ATM gone sentient!   A tornado with a grudge!  A corn cult, but not the Stephen King variety.  Plus there is the perilous paradox of observing Daylight Savings Time!  How can a 13-year-old boy deal with this level of crazy by himself? 



Thankfully, Marshall is not alone.  His best friend Simon Holmes (Justin Shenkarow) is at his side while investigating the strange goings-on around town.  Will they solve the mystery of why Eerie is the center of weirdness?  Will the curious collection of mementos from their adventures be discovered?  Will Marshall's family ever get a clue?  



Sadly, we will never know.  EERIE, INDIANA was cancelled after one season.  However, much like some other short-lived series, it burned bright.  Especially in Reality Takes a Holiday.  The final episode begins with Marshall skipping a family outing and then finding a script of EERIE, INDIANA in the mailbox.  What follows is wickedly clever fun and a strangely satisfying conclusion to a truly original, offbeat series. 



To add to the offbeat madness, director Joe Dante (Gremlins) helmed some of the episodes and I can't help but believe he was behind sprinkling the series with quirky-cool guest stars.  Dick Miller (Gremlins) and Henry Gibson (Laugh-In) helped the residents of Eerie lose things.  Matt Frewer (Max Headroom) literally dropped in as a tornado hunter.  Rene Auberjonois (Star Trek; Deep Space Nine) made Eerie a devilish deal.  Ray Walston (My Favorite Martian) was surrounded by a bunch of corn-heads.  Last, but not least, a freakishly young Tobey Maguire (Spider-Man) appeared as a ghost with a romantic problem. 



In conclusion, I had not seen this series since it originally aired and I think it holds up.  The stories are fun, freaky, clever and often not afraid to touch upon mature themes such as death and fighting parents.  So, if you crave something a little different, pay a visit to EERIE, INDIANA.  Marshall and Simon will gladly show you around the weirdness. 



(SIDE NOTE - At the time of this writing, Amazon Prime is streaming EERIE, INDIANA and a spin-off series from 1998 that I never knew existed.  I'm one episode into EERIE, INDIANA: THE OTHER DIMENSION and I think it's off to a potentially good start.) 

Thank you for reading or listening to my half-blind words.

Freak Out, 
JLH 

P.S.  I wonder what Marshall and Simon would think of the supernatural weirdness happening in Collinsport, Maine...🤔



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Just like the eye in the beginning credits of EERIE, INDIANA....




...The Collective Eye for November is open...

Thursday, June 11, 2020

channel freakboy: HATERS BACK OFF! (2016-2017)


Miranda (Colleen Ballinger) wants to be famous more than anyone wants anything.  More than her sister Emily (Francesca Reale) wants to be an artist.  More than her Uncle Jim (Steve Little) wants to relive his high school Color Guard days.  More than her mother Bethany (Angela Kinsey) wants to recover from imagined ailments.  More than her neighbor/potential love interest Patrick (Erik Stocklin) wants to be a successful popsicle salesman and professional magician.


The problem is that Miranda suffers from a severe lack of talent.  She truly believes her terrible singing is truly amazing.  It doesn't help that her mother and Uncle Jim have encouraged this erroneous belief all of her life.  Now, with assistance from Uncle Jim and his 5-phase plan, Miranda begins by uploading a video to You Tube, even though this grab for fame may tear her family and friend apart.


I stumbled upon Netflix's HATERS BACK OFF! while searching for the Britcom MIRANDA, starring Miranda Hart.  I was disappointed to not find what I wanted but I ended up seriously enjoying what I found.  My sister and I didn't know what to expect when we sat down to watch the first episode of HATERS BACK OFF!  Honestly, we weren't quite sure what we had just watched when that first episode ended.  All we knew was that we laughed at the craziness surrounding these very different characters. 


I suppose these characters could be seen as unlikable or pathetic.  Sometimes they are and sometimes they are borderline caricatures.  Yet, somehow through hijacking a parade, crashing a funeral, staging a backyard performance of ANNIE, and holding a hospital fashion show, I often felt sympathy and even empathy for these characters.  Yes, I related to them because they live in their own little world, but are still not quite good enough.  


HATERS BACK OFF! is about the ultimate outsiders and I understand because I am one too.  Awkward, weird, occasionally off-putting and never quite succeeding, even with the best of intentions.  Miranda, Patrick, Bethany, Emily and Uncle Jim are my televised people.  Especially when one of them reaches for the sky, fails miserably, but keeps on trying.


In conclusion, my sister and I have watched the entire series three times since 2018.  So, if you want to experience something truly different and feel uncomfortable while laughing, then sit back, stress-eat wieners and enjoy HATERS BACK OFF! on Netflix!   


Thank you for reading or listening to my half-blind words.

Freak Out, 
JLH 

P.S.  A blogpost from 2016 about my filmic people...
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The Collective Eye is open with music & blogs...