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This post is part of the 4th Hammer-Amicus Blogathon, hosted by Barry of Cinematic Catharsis & Gill of Realweegiemidget Reviews! ~~~~~~~~~~~~~~~
In Hammer-Amicus Blogathons past, I’ve sunk my teeth into supernatural horror, geeked out over sci-fi zaniness and danced to the beat of teen jazz obsession. This time around finds me lurking in the shadows of a 1963 psychological thriller that I had never seen before! Honestly, I didn’t know much about PARANOIAC other than the soap opera twist its plot is centered around. Poor Eleanor and Simon Ashby. First they lost their parents in a terrible accident. Then their brother Tony killed himself. These tragedies continue to hang heavy over the Ashby family mansion. Maybe this is why Eleanor believes she has seen Tony alive! Simon and Aunt Harriet believe Eleanor has taken leave of her senses…or has she? Pushed to the emotional brink, Eleanor has decided to emulate her brother’s suicide by jumping off a cliff into the ocean. A man saves her and takes her home, shocking everyone in the household. Apparently, this man is Tony! No body was ever found, so could it actually be the presumed dead Ashby sibling? Tensions mount as the family tries to figure out if this man is really Tony. Aunt Harriet becomes even more intense. Simon drinks and explodes in fury even more often than before. Eleanor believes the man is her brother, but is disturbed by her growing attraction to him.
This post is part of the 4th Hammer-Amicus Blogathon, hosted by Barry of Cinematic Catharsis & Gill of Realweegiemidget Reviews! ~~~~~~~~~~~~~~~
In Hammer-Amicus Blogathons past, I’ve sunk my teeth into supernatural horror, geeked out over sci-fi zaniness and danced to the beat of teen jazz obsession. This time around finds me lurking in the shadows of a 1963 psychological thriller that I had never seen before! Honestly, I didn’t know much about PARANOIAC other than the soap opera twist its plot is centered around. Poor Eleanor and Simon Ashby. First they lost their parents in a terrible accident. Then their brother Tony killed himself. These tragedies continue to hang heavy over the Ashby family mansion. Maybe this is why Eleanor believes she has seen Tony alive! Simon and Aunt Harriet believe Eleanor has taken leave of her senses…or has she? Pushed to the emotional brink, Eleanor has decided to emulate her brother’s suicide by jumping off a cliff into the ocean. A man saves her and takes her home, shocking everyone in the household. Apparently, this man is Tony! No body was ever found, so could it actually be the presumed dead Ashby sibling? Tensions mount as the family tries to figure out if this man is really Tony. Aunt Harriet becomes even more intense. Simon drinks and explodes in fury even more often than before. Eleanor believes the man is her brother, but is disturbed by her growing attraction to him.
Is Tony really Tony? How will Eleanor handle her incestuous feelings? Will Simon finally snap? Can Aunt Harriet keep things under control? Also, what is up with the creepy singing and organ music coming from the dilapidated chapel? Who is lurking down there in the nightmare fuel of a mask and what does it mean? Secrets are revealed, sometimes sooner than expected, but my lips are sealed! You’ll have to watch PARANOIAC to find the answers! After spending a day fighting Triffids, Janette Scott as Eleanor Ashby gives a good performance as a woman on the verge of a nervous breakdown. Sheila Burrell as Aunt Harriet gives a strong performance as the ersatz matriarch trying to keep family secrets a secret. Alexander Davion as Tony Ashby gives an intriguing performance as the man who may or may not be who he seems. (SIDE NOTE: Davion went on to play Ted Casablanca in VALLEY OF THE DOLLS (1967). Then there is the always memorable Oliver Reed as Simon Ashby. Reed comes on like gangbusters as the drunkenly violent member of the Ashby clan. According to the audio commentary, this may have been art imitating life. Screenwriter Jimmy Sangster weaves an emotionally disturbing story with echoes of gothic horror reverberating through the corridors. The viewer may see some of the twists and turns coming, but maybe not when they will occur, which keeps the plot on edge. After one early revelation, I told my sister I thought it would be the big finale reveal, not something given away halfway through the film.
Director Freddie Francis draws out a solid Hammer film from the script and actors. He keeps the camera moving, the pace brisk and the atmosphere tense. A scene involving a car dangling precariously off a cliff is particularly effective! If I have one complaint, it is my disappointment in how little the super freaky-creepy mask is utilized in the plot. When the blu-ray arrived, I was startled by this grotesque face staring back from the cover. (No, not Oliver Reed) I let my imagination run rampant with visions of a masked killer bumping off members of a wealthy family. Maybe the resurrected Hammer studio will give this psychological thriller a contemporary slasher twist! In conclusion…
Somehow PARANOIAC is not quite what you think of with Hammer films, but also totally a Hammer production. The cinematography is lush black & white. The performances are spot on for the story. If you enjoy turbulent twists and turns within a mansion of deep, dark secrets, then you will be captivated by PARANOIAC! I know I was!
Thank you for reading or listening to my half-blind words.
Freak Out,
JLH