Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Friday, February 21, 2025

freakboy on film: CARNAGE (1984)

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This post is part of The Seventh So Bad It's Good Blogathon, hosted by Rebecca of Taking Up Room from February 21-23, 2025. 
Poster for The Seventh So Bad It's Good Blogathon, hosted by Rebecca of Taking Up Room from February 21-23, 2025 shows a man and a woman in a car looking towards the backseat with the blob sliding down the front window.
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Poster for carnage, 1984. Written and directed by Andy Milligan. Starring.  Deeann Veeder , Chris georges,  And Leslie Den Dooven, shows a three-story house with a figure standing in the top middle window and two figures running out of the house, with text that reads, Just keep saying to yourself "It's only a house... It's only a house... It's only a….  More text reads. When the carnage begins the heart stops.  Further text reads. Warning! - Doctors advise that this shocking motion picture should not be seen by anyone who has a heart condition or nervous disorder!
This haunted house flick starts with a bang!  Two in fact!  A seemingly happy couple, dressed in their wedding attire, are dancing to an old record of the Wedding March.  In a romantic moment, the husband reaches for a gun and murders his wife before taking his own life.  
The top half of the house in Carnage.
Home Sweet murder home.
Flash forward to three years later.  
Johnathon and Carol happily embrace in carnage
Is that a ghost in your pants or are you just happy to see me?
Carol and Johnathan Henderson have just bought the murder house, which shares a resemblance to Norman Bates’ home sweet home, and they couldn’t be happier.  Well, that is until strange occurrences begin to occur.  Tea cups left on the counter are suddenly in the sink.  Notepads and candlesticks move on their own.  A dead telephone rings and the record player turns on, playing the Wedding March.  Then there is the night Carol and Johnathan are nearly gassed to death when their stove is switched on.  Oh, and a maid they hired is tormented with cobwebs or ectoplasm or maybe Silly String by the ghostly bride, who then forces the poor woman to slit her own throat.  So, of course, this is the perfect time to throw a housewarming party!  
Johnathon and Carol raise their drinks with friends during the Housewarming party in carnage
Toasting the death of fashion.
The guest list includes two couples.  There is Tony and Margaret, who we don’t learn too much about.  Thankfully, there is also Ann and Walter, who we get to know through a couple of terrific scenes with Ann’s enjoyably bitchy mother.  (Oh god, I’m too young to be a mother.  Now I’m going to be a grandmother!  What ever will I tell my boyfriend? These scenes reveal that Ann is pregnant and plans to surprise Walter with the news at the housewarming party.  However, the surprise is on everyone when Margaret is injured at the party and has to be taken to the hospital and then Walter dies when a radio supernaturally makes a splash in his bath. 
Walter and Ann at the Housewarming party in carnage
Just say no to housewarming parties!
After the party and Walter‘s funeral, Johnathan goes back to work and Carol digs into the history of the house.  Meanwhile, unbeknownst to them, anyone who drops by or breaks into the house is quickly dispatched by the ghostly bride and dragged off to wherever ghosts store bodies.  What are Carol and Johnathan going to do?  Call in a priest?  Leave the haunted house?  Sit down for a chat with the ghostly bride?  They choose all three options and it all leads to an ending that still doesn’t quite make sense to me, even after multiple viewings. 
The ghostly bride in carnage
The ghostly bride won’t tell, but I will!
SPOILER ALERT!
The priest dies, which finally convinces Johnathan and Carol to get the hell out of there!  While Johnathan is loading the car, Carol starts chatting with the ghostly bride.  Carol says she doesn’t want to leave and the ghostly bride tells her she and Johnathan can stay if they don’t renovate the house.  However, when Johnathan enters, he finds Carol with a crazed look in her eyes, holding hands with both the ghostly bride and the ghostly groom.  Cut to the ghosts joyously watching Johnathan and Carol reenacting their murder-suicide and then cut to a For Sale sign outside of the now presumably double haunted house. 
The ghostly bride and groom watch Johnathan and Carol, dressed in their wedding attire, embrace in carnage
Just another Milligan happy ending!
CARNAGE was written and directed by Andy Milligan and it’s neither his best (NIGHTBIRDS) nor his worst (SURGIKILL).  Deep down I know CARNAGE is a bad film.  The direction is lackadaisical, along with the pacing.  The writing is generally generic and sometimes confusing, but the scenes with Ann and her enjoyably bitchy mother are sharp and funny.  
(Ann: I can’t even get any love from my own mother.”
Mother: You got plenty of that nasty stuff when you were in pigtails.”
Ann’s enjoyably bitchy mother dispenses advice
A mother‘s work is never done.
In Milligan’s defense, CARNAGE was his last East Coast film and it was produced by Lew Mishkin, the son of the legendary grindhouse producer William Mishkin.  Lew and Andy did not get along, so Andy might not have put his full manic energy into it.  The actors in CARNAGE lack the frantic vibe of some of his past performers, which adds to the lack of urgency in the story.  Chris Baker as Ann and Che Moody as Ann’s enjoyably bitchy mother (“Oh god, I feel uncomfortable.”) easily give the best performances but cant quite touch the brilliance of former Milligan staples, such as Neil Flanagan and Hope Stansbury.

However, despite or maybe because of the deficiencies, I enjoy CARNAGE.  The squeaky sound effects whenever an object moves is endearingly goofy.  There is unintentional humor in the maid’s less than scared reaction as the ghost bride torments her.  Some of the ultra-low budget gore effects are surprisingly somewhat effective.  Plus, we are treated to the Milligan staple of a pitchfork to the neck!  Oh, and obviously there is also Ann and her enjoyably bitchy mother, who may not be as crazy abusive as other Milligan mommies, but their often less than loving interaction brings a much needed bit of edge to the film.  
(Ann:Oh, mother… 
Mother: Stop that right now!  The last thing I want is to play mother to a crying brat
.”
Ann, with a towel on her head, converses with her enjoyably bitchy mother
Now shut up and drink your breakfast!”
In conclusion…
CARNAGE is the least “Andy Milligan” Milligan film.  Even my sister said it felt different than his other films I’ve subjected her to.  Still, I always find myself enjoying the nonsense when I pop in the disc from THE DUNGEON OF ANDY MILLIGAN box set.  So, if you’re in a low-budget ghostly mood, pour yourself a cup of tea and call a priest because CARNAGE may be the so bad it’s good haunted house flick for you! 
The priest stands at the pulpit surrounded by flowers and stained glass windows in Carnage
May the filmic gods have mercy on your soul!
Freak Out, 
JLH 

P.S. Speaking of ghostly moods, click the pic ⤵️ for a post where I stalk the ghost of Andy Milligan… 
A treacherous Staten Island sidewalk near one of Andy Milligan’s former homes
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Drive through the seemingly tranquil streets of Sturgeons, but just know the secluded summit of Stickler Hill is waiting for you! 
🏡 
The ebooks, Darkening sturgeons and haunting sturgeons by john L. Harmon

Tuesday, October 27, 2020

INTO THE FOLD



     Ricky Jones sits alone at the monitoring station, putting in his time as the newbie of the group.  Four screens bathe him in a vaguely blue illumination, a spotlight in the darkened students lounge of the old science building.  He studies the four images before his milk chocolate eyes.  Two screens are stationary while the other two are in constant jerky motion.


    Val and Marnie, in the upper left screen, are exploring a storage area in the attic.  Books, equipment and a few old skeletons fill the claustrophobic space.  Footsteps have allegedly been heard reverberating through the rafters.  Ricky wishes Marnie wasn't in charge of videoing because she jumps at the slightest noise.  Val is in his film class, so she knows how to hold and move a camera in a variety of situations.

    Lexi and Derek, in the lower right screen, investigate a peculiar lab in the basement.  A metal surgical table centers a room full of broken or long-unused equipment.  Old newspapers have documented numerous accounts of eerie sobbing emanating from the bowels of this abandoned building.  Ricky wishes Derek would focus the camera more on the surroundings and less on Lexi, who is encouraging him with flirty smiles and laughter.  Derek is intensely attractive, so people often make allowances for him, including Ricky. 

    The lower left screen displays a classroom, it's lab tables cluttered with test tubes, microscopes and miscellaneous science class contraptions.  Claims of objects being hurled in this room have been reported.  A specific hallway on the first floor can be seen on the upper right screen.  It's an old university legend that the spirit of a night watchman stalks this corridor, searching for lost souls with the aid of an oil lantern. 

    Ricky Jones is searching for proof of an afterlife.  In the last year, he watched his grandmother waste away from cancer.  It's impossible for him to believe that the woman who raised him after his parents flaked is simply gone, like she never existed.  He needs to know for certain that she goes on in some form.  This drew him to the university's ghost hunting group.  His reasons for wanting to join touched each of the members, so they gladly accepted him into their fold.

    His alert eyes dart from screen to screen, waiting for something to happen.  Waiting for the others to encounter unexplainable phenomenon.  Waiting for what appears in the upper right screen.  A dim light hanging in the air begins illuminating the hallway, immediately catching his attention. 

    Ricky stares as the light on the screen grows brighter and begins moving towards the camera.  He leans forward, mesmerized, when all four screens suddenly go dark.  Urgency hits him and he grabs for his walkie to contact Val, but finds the charge is gone.  Urgency morphs into panic as he realizes the students lounge should be as dark as the screens. 

    The guttural scream echoes throughout the old science building and then abruptly stops.  Marnie clutches at Val in the attic, while Lexi plunges into Derek's arms in the basement.  Hurried, whispered discussions lead the pairs to one decision.  Flashlights in hands, they quickly converge on the monitoring station, calling out for Ricky.  All that answers them is the silence of his empty chair bathed in a vaguely blue illumination, as if Ricky Jones never existed. 


2020, John L. Harmon 
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This story may share threads with...






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Thank you for reading or listening to my half-blind words.

Freak Out, 
JLH 

P.S. A different post about a different ghost...