freakboy on film: TERMINAL DEGENERATION: The Films of Jon Moritsugu

I had never heard of Jon Moritsugu until opening an email from Vinegar Syndrome, which has become my back-alley film fix destination.  Three things peaked my interest.  First, I instantly found the funky-indie-cool cover of the blu-ray box set very appealing.  Second, the description of one of the films as a DIY version of BEYOND THE VALLEY OF THE DOLLS more than intrigued me.  Third, the crazy trailer for the box set secured my desire to learn more about this writer/director. 

What did I learn about Jon Moritsugu? 

I learned MY DEGENERATION (1989) really is, in its own way, a DIY version of BVD, by way of David Lynch and Gregg Araki.  Three young women form a  rock band, achieve success (thanks to the meat industry) and then struggle with the pitfalls of fame, drugs and love of what appears to be a pig’s head.  MY DEGENERATION is a bizarre and amusing introduction to Jon Moritsugu.  Also, I love the music and the out there audio effects!

I learned HIPPY PORN (1991) is neither about hippies nor porn.  If you enjoy allegedly nihilistic, pseudo-intellectual young adults whining about the existential nothingness of their disenfranchised lives, then HIPPY PORN is the film for you.  This was the hardest for me to sit through because it feels tediously overlong and self-indulgent, but the “Accentuate the Positive” musical moment is rather brilliant.  HIPPY PORN also made me almost regret this purchase because the opening scene involves a dead animal, which hopefully wasn’t killed for the purpose of this film.  Watch at your own risk. 

I learned TERMINAL USA (1993) is Jon Moritsugu’s CITIZEN KANE.  Funded by and airing on PBS (the “Sesame Street” network), the story focuses on one very strange day in the life of an Asian-American family, culminating in a household full of cheerleaders, skinheads, a drug dealer and an alien.  Freaky, funky and funny, TERMINAL USA may be the best in this box set and must have inspired Gregg Araki’s NOWHERE (1997). 

I learned MOD F**K EXPLOSION (1994) is another Gregg Araki-style film about two oddball gangs out for a clash and the young woman stuck in the middle, who just wants a leather jacket.  Low-key weird, occasionally hard to follow and inappropriately funny, MOD F**K EXPLOSION is definitely happening in the same universe as TERMINAL USA, but doesn’t quite reach its surreal symmetry.  Still totally worth watching though!

I learned FAME WHORE (1997) might be my favorite Jon Moritsugu film.  The Gregg Araki/David Lynch vibes have fallen away to reveal a quirky, funny and strangely touching look at the danger of notoriety, the desire for success and the damage of loneliness.  After a catchy theme song, we are presented with three interesting characters.  A tennis pro dealing with scandalous (at the time) gay rumors, a young woman (Moritsugu’s wife & collaborator Amy Davis) who fancies herself a Jill-of-all-trades in the entertainment industry and a young man working alongside an imaginary friend (a giant mascot dog) at an animal shelter never meet, but in some indescribable way seem connected in their separate stories.  FAME WHORE surprised me, made me laugh and even broke my heart a bit. 

I learned SCUMROCK (2002) is ironic.  After so many films with a Gregg Araki vibe, a Gregg Araki actor (James Duval) FINALLY appears in a Jon Moritsugu film, but it’s the least like a Gregg Araki film.  Two stories, briefly connecting in the middle, revolve around a young woman trying to make a name for her rock band and a young man trying to make his first film.  SCUMROCK is slow-paced, but amusing, with a sort of happy ending that feels true.

I learned PIG DEATH MACHINE (2013) isn’t as horrifying as the title suggests.  It’s a goofy story about the strange side effects a ditsy blond and a dishwasher experience after eating bad pork at a restaurant.  The ditsy blond’s IQ rises and the dishwasher can suddenly hear plants talking.  My only complaint is I don’t understand why the dishwasher never tries to talk to the plants who are talking to her.  In the end, PIG DEATH MACHINE is an amusing finale to this box set, especially with the surprising and fun stop-motion animation sequence! 

In conclusion… 
Overall, I’m glad I learned about Jon Moritsugu and his eclectic films.  They are very DIY.  The acting is not always great.  The characters are not always likable.  However, much like an Andy Milligan film, there is an honesty underneath the weirdness and absurdity.  Yes, even in HIPPY PORN, including in that tough to watch opening scene.  So, if you are into ultra low-budget, seriously indie cinema, then TERMINAL DEGENERATION: The Films of Jon Moritsugu may be the box set for you! 
Thank you for reading or listening to my half-blind words.

Freak Out, 
JLH 

P.S.  In case you missed my latest video for The FreakOptic Files… 

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