freakboy on film: SEX DEMON (AND OTHER HAUNTINGS)

This is not Pornhub, despite having blogged about puppet porn, song & dance porn and Ed Wood porn.  However, I haven’t blogged about queer horror porn.  No, WIDOW BLUE (1970) doesn’t count because it’s like 1% queer sex and 99% hetero-centric boinking between the bloodshed.  Even with that unbalanced example, I was surprised 1970’s queer horror porn was even a thing. 

I found the AGFA (American Genre Film Archive) blu-ray of SEX DEMON (AND OTHER HAUNTINGS) some time ago at Vinegar Syndrome’s scintillating sister site Mélusine.  Much like so many other filmic purchases, I experienced the craziness and decided to wait for the perfect time to blog about what I’ll never unsee.  Well, if Pride Month isn’t the perfect time to blog about a queer horror porn triple feature, when is?  Ok, maybe Halloween, but I’m in the mood now, so I am not waiting for October. 

SEX DEMON (1975) 
written & directed by J.C. Crickett 

John gives Jimmy a gaudy medallion for their second anniversary and all gay hell breaks loose!  Jimmy develops a voracious appetite for raw meat from the fridge and seriously rough sex with strangers.  Little does John and Jimmy know, the medallion is cursed.  Will John be able to save his partner with an exorcism or will Jimmy continue his sex-murder spree?  

Just don’t serve him pea soup!

What if Andy Milligan made gay porn?  The answer would look a lot like this memorable piece of less-than-sexy ‘70’s queer horror.  Ferocious, violent and completely manic, with a mix of low-key and histrionic performances, SEX DEMON is only for the most daring of horror film lovers.  I enjoy the frenzied, low-budget Andy Milligan-esque energy, but the rough sex can be rough to watch, unless you’re into certain kinks. 

DEADLY BLOWS (1971) 
directed by Nicholas Grippo (as Max Blue) 

An unnamed man lives alone in a secluded area.  Surrounded by nature, he speaks of loneliness, but also tries to turn away anyone who stumbles into his withdrawn world.  Maybe he is trying to spare them because after making love with his unsuspecting male visitors, he brutally kills them through strangulation or a deadly blow from a hammer.  He doesn’t know why he murders his lovers, he just does.  Then his outwardly simple life becomes complicated when a roommate of one of his victims shows up at his door.  Will the man continue his love-kill cycle or will the stranger figure out what happened to his roommate before it’s too late? 

Is that a hammer in your hand or are you just happy to see me?

Deliberately paced, with a methodically level tone, this feels like the antithesis of SEX DEMON.  The only jarring energy comes from the surreal opening and closing scenes of a shrill scream and a murder the main character either witnessed or committed.  There is no dialogue throughout the film, just a voiceover as the man narrates his own story, seemingly emphasizing his loneliness.  I like the melancholic atmosphere because it gives a sense of realism to DEADLY BLOWS, which, by the way, is a brilliant title for queer horror porn.   

10:30 P.M. MONDAY (1970) 
directed by Lucas Severin 

A man, who seems to be dissatisfied with his sex life, receives a sketchy message in the mail.  All it says is the title of the film.  He initially puts it aside, but as 10:30 P.M. MONDAY draws closer, his curiosity grows.  A fancy black car appears and takes him on a phantasmagorical sex odyssey.  The man enters a building with areas marked as Bar, Toilet, Bath, Beach and Orgy Room, which actually seems to be every room.  (SPOILER ALERT)  By the end, the man is suddenly back in his home, holding the cryptic message.  Did he experience these hardcore events or was it all a feverish premonition?  I haven’t a clue. 

Loneliness as an art form.

For only being one hour, this film feels like a painful eternity.  It’s just scene after scene of sex, sometimes extremely rough sex, and the whole thing becomes very boring, very quickly.  Oh, there is occasional artistic flair, but the focus is more on the sex than the plot or  characters.  In other words, I don’t recommend 10:30 P.M. MONDAY. 

In conclusion… 
Two out of three ain’t bad.  However, these films are an important piece of queer history.  While major studios were barely touching upon homosexuality during that time, these adult films and other independently produced cinematic excursions, were able to more fully explore the voices in the LGBTQ+ community.  Also, it’s great to see queer representation in horror, a genre infamously known for ignoring us.  So, if you’re an adult and you don’t have a hang-up about seeing very real sex, SEX DEMON (AND OTHER HAUNTINGS) may be the blu-ray for your Pride Month collection! 🏳️‍🌈

Freak Out, 
JLH 

P.S. Speaking of Queer Horror Porn… 😏⤵️ 

STURGEONS (the complete audiobook)

Just in time for Pride Month!

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My queer take on 1950’s sci-fi/horror and its emotionally cataclysmic aftermath is now an Audible audiobook! 

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Yes, STURGEONS (the complete serials) is still available as an ebook, paperback and hardcover from an Amazon near you!

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P.S. Don’t forget to check out my other audiobooks…

freakboy on film: GAY USA (1977)

It’s 🏳️‍🌈Pride Month🏳️‍🌈 in the year 2025 and it feels radically important to acknowledge this time.  To honor those who came before us.  To celebrate how far we’ve come.  To continue to strive for a better tomorrow. 

GAY USA is a remarkable documentary from 1977 directed by queer filmmaker Arthur J. Bressan Jr.  The footage was shot by multiple camera operators on one day, focusing on Gay Pride Parades occurring in various cities across the United States.  It’s a snapshot, a home movie, a visual scrapbook of the early days of Gay Liberation and Gay Rights. 

The film is populated by a wide array of individuals and viewpoints.  Interviews on the streets of these parades show that the LGBTQ+ community has always been as diverse and complex as the hetero-centric crowd.  The only difference between us and them is we’ve had the ultra-conservative gospel-mongers lecherously peering through our bedroom windows and pointing a self-righteous, hypocritical finger at us.  They should be using their right-wing pervy peepers to take a long, hard look at their own tarnished reflections in their Holier-Than-Thou purity mirrors before condemning others.  

Yes, even the Bible Belt-whackers get to speak their ignorant minds in this documentary.  Thankfully, the majority of GAY USA is focused on celebrating gay people as ultimately extraordinarily ordinary folk just being their best queer selves, despite the suffocating disease of hate festering and spreading through society thanks to politics and religion. 

All that being said, I do have to add a couple of personal thoughts.  My least favorite part involves a guy at a parade dressed as Santa Claus.  He gave off some severely creepy vibes and I wonder why his interview wasn’t relegated to the cutting room floor.  My favorite part is when a lesbian recites a poem about how straights want gays to not be so blatant, even as straights blatantly flaunt their sexuality all over the place.  Her words ring so strong and true, they make me raise a fist and shout, “Right on!” 

In conclusion…
I feel GAY USA is a powerful look at a community combating prejudice by finding solidarity in voice and spirit.  Even if that solidarity has splintered in this politically-charged day and age, it only proves we are as tragically human as heterosexuals.  So, if you want to start your Pride Month celebrations with 1970’s retro flair, GAY USA may be the documentary for you!

SIDE NOTE: You can currently find GAY USA on You Tube.

Freak Out…
and Be Blatant!
JLH 

P.S. Pride Month is a perfect time to read a queer book or two…
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